The film is divided into three parts; World War I, World War II and a post apocalyptic waste land in the future. All three parts of the film contain the character of death, who is a tall bald man with a frightening appearance. In the first story, a soldier deserts the army and causes havoc in his town. Death soon follows. The second part deals with World War II and contains a massacre of a peasant family by Russian soldiers. Even children fall victim. The scene was sad and haunting. Death follows in the second part, even to make sure that the cat's dead. Then we witness a collage of bloody and bizarre images, war stock footage and a vision of the future. Jakubisko's vision of the future in the third part, is disturbing and horrifying. He combines elements of biblical prophecy, sci-fi and folk tales in his bleak future. The images of nude old people running around in a underground insane asylum bomb shelter, filtered with sepia tones; may be a bit much for some viewers. It almost reaches the weirdness of a Jodorowsky film. Then we see death talking to a nurse. An old man spits up blood and other strange things occur. Death and the girl, escape through a rat infested sewer. When they finally see light, it's a post war wasteland without any people. There's cracked parched land and planes that drop bombs even on the forest. You know things are bad when death starts to fear for his life. Ironically when Jakubisko was filming, the Soviet Union invaded Czechoslovakia. Although the film did well in festivals, it was later confiscated, and held in a vault for about twenty years. Columbia pictures bought the rights to it in the late sixties, and since then the film has faded into oblivion. Jakubisko had to buy a print from Columbia pictures, just so he could have a copy. It's virtually impossible to describe the film. Think of directors Milos Jancso, Emir Kusterica, Fellini, Peter Greenaway, Alejandro Jodorowsky and Oldrich Lipsky to get an idea of it's style.